Wednesday, March 27, 2013

WaveGenix Deluxe Mastering Suite 5.3

WaveGenix Deluxe Mastering Suite 5.3
WaveGenix Deluxe Mastering Suite 5.3

The easy way to get your songs and loops professionally normalized and optimized for respectful loudness @ 96khz.
You only have to choose from different modules depending of your objectives.
Everything is simple but very effective @ 96Khz
Details
WaveGenix Deluxe Mastering Suite 5.3
Deluxe Mastering Suite has a very impressive set of features. You can finally get the job done like never before!
Selecting the ideal noise gate threshold can be tricky, especially when you consider attack speed. Now consider release speed as well. These parameters have to be timed just right to reduce hissy sections to virtual silence without causing tail cut-offs. This software makes the task easy by finding the threshold and deciding how fast to respond. It comes with a smart look-ahead gate.
Something as simple as changing between single and dual channel input and output can be a real chore in editing software. Now you can seamlessly manipulate your PCMs between mono and stereo with the built-in channel converter. This enables source material to be saved either as a stereo-to-mono perfect mixdown, or as a mono-to-stereo double up. No more hassle with your old sound editing software.
Despite certain opposing opinions on this subject, many still remember the lush warmth associated with analogue recording equipment. This software mimics the main properties of magnetic tape to reduce the cold harshness of digital perfection. On a physical level, loud sounds bleed and cause magnetic mis-alignment in the poles. This in turn generates ducking in surrounding frequencies.
Is it appropriate to drive a signal so loud that it folds back on itself? Usually the answer would be no. However, in some rare cases, overdriven saturation can be just the thing. For example, let’s say you need to excite a vocal performance. Let this software bend carefully selected parts of your signal before you run it through a traditional dithering and final reverb comb filter.
Each time you reduce the bit-depth of a signal, there are fewer bits to carry the same dynamic range. This results in worse distortion the closer the signal tends toward zero. By filling certain gaps with carefully shaped noise, it’s possible to trick the brain’s ear. Specific noise, shifted into discrete higher frequencies, creates the desired psycho-acoustic tail. This software powers the magic for you.
Plus much more.
System Requirements:
Win XP / Vista / 7

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